’ve been surrounded by images of beautiful women since childhood. My mother collected Helmut Newton’s photography, and our walls were covered with Boris Vallejo calendars, where the nude body was portrayed as a symbol of strength.
Maybe that shaped the way I see things — I simply couldn’t photograph any other way.

At the same time, I don’t feel like I’ve ever truly “found” a style. The moment you do, you start repeating yourself, and that quickly becomes boring. I keep shooting as long as there’s tension inside me. Once it fades, it’s a sign that everything needs to change.

Vulnerability is often the first thing people associate with boudoir, but it’s not what interests me.
I photograph women who have already accepted themselves and moved beyond that stage. They’re not looking for approval, and they don’t need it.

For me, intimacy isn’t about access — it’s about distance. About understanding that not everything will be revealed. That’s what keeps you looking closer, noticing details, staying engaged with the image.

I genuinely love what I do. I could work nonstop — the energy doesn’t run out, and neither does the inspiration. Life is short, and I want to leave behind as many strong, beautiful images as I can.

What surprised me most is how irreversible it felt.
It started as something very simple — I was shooting in my living room with backdrops literally nailed to the ceiling. It looked a bit crazy, but it worked perfectly at the time.

Then things grew: studios, a team, bigger productions. But the scale isn’t the most important part. What matters is the shift in perception. At some point, when you’re fully inside the process, reality stops resisting you — it starts adjusting around you instead.

For me, aesthetic nude photography was never really a “career choice.” It’s more like a state where you simply can’t stop creating.

I don’t have a specific famous person in mind.
I’d rather photograph someone who leaves behind a subtle sense of discomfort — something you can’t fully explain. Those are the images that stay with you the longest.

We don’t really see ourselves as direct competitors to them — they’ve already cemented themselves in the market. We’re just trying to bring a different approach, with new ideas and perspectives.

What they mostly don’t have is a fully automated system for scheduling, posting, and cross-posting.

With Blackflix, it’s not just about centralizing posting — we’re also integrating AI and creative tools for creators, like reel generators and brand guideline generators.

We offer a fully automated system where all you need to do is upload your content to Google Drive. The platform will automatically fetch content based on upload date, generate captions and hashtags with AI, and post it at your desired frequency — whether that’s every few hours, daily, or every couple of days.

There’s no need for a community manager to handle scheduling. Humans can forget or make mistakes — automation won’t.

It actually came from a moment of frustration within our team.

We realized that creating content takes less time than managing social media and interactions overall. That’s when we decided to take action.

We tested many scheduling platforms and noticed they all offer very similar services. So we took the best ideas from each and tried to build something better for users — especially for creative agencies managing multiple projects, as well as streamers and content clippers.

Right now, Blackflix is monetized through our other ventures, such as Rapidotex and Auraforge.

At the same time, we’re running beta tests with agencies and freelancers we already work with. This allows us to improve the platform based on real feedback before going fully public.

The main thing users would miss is the automated content flow — especially the ability to auto-fetch content from Google Drive and fully automate posting. It’s something that was quite complex to build, but it became a real game changer for creators and freelancers.

Right now, we’re still not publicly launched. We work closely with a small group of clients who help us improve the product and close gaps before the official release this summer.

What we’re most proud of as a team is our dedication to building a solution that adapts to different needs and budgets.

Blackflix is also something we built for ourselves — we manage multiple projects, brands, and client work, and existing tools didn’t fully meet our needs.

We were also inspired by teams like Zernio — if they could build something impactful, we believed we could too.